Three wishes, three witches, three sisters, three pigs, three bears, three beers, three musketeers... Three actors weave together three famous tales, all featuring the elusive number three.

At our open auditions, interviews and information sessions you will find out about the wide range of MA and BA Performance and Design, Management and Technical Arts degree courses available at Rose Bruford College of Theatre and Performance, London’s International Drama School.

The London Underground handles over four million passengers every day. Half the population of a multicultural capital scurry beneath the city to travel together. Each carriage is inhabited by cross sections of society; countless combinations of class, race, and opinion meet in a space in which you can barely whisper.

A congregation of strangers, brought together by the need to give body, voice and space to their other selves – to explore the lives unlived and words left unspoken.

Josef K. wakes up one morning, hungry and disconcerted, only to find himself arrested. He is not told why, nor by whom. He does not get to eat his breakfast. And so begins The Trial.

The Völvas is an international feminist performance ensemble.

Democracy's weak, the Establishment reigns.
The people they break, the 1% gains.
How can we live alongside such immorality?
Whatever happened to 'Peace, Love & Solidarity!?

Every single day, he writes to her from his cell. She never answers. She never will. As four performers embody the mind of an abandoned prisoner, the unspeakable is realised in a fierce physical tension between loss and desire.

Happy Norway Day is a show structured around two people at a birthday party, interspersed with extracts of poetry from Pablo Neruda that instigates and charts the rise of affection between the two.

Beach Party, is a performances devised by 38 Buried Roses influenced by the methodologies and practices of European Theatre in the past century.

Sneak peek at a new documentary film that asks two simple questions: ‘What lines of Shakespeare do you remember and why?’

Home is a place in which we welcome one another. By starting from this fundamental action, that can take place in any living room, we enter an investigation into how the potentialities of performance can both enrich and be enriched by daily inter-personal relations and realities.

Carla Pollastrelli, Co-Director of Fondazione Pontedera Teatro from 1993 to 2012, will introduce and present video documentation of Akropolis. An outstanding realisation of Grotowski's Laboratory Theatre, Akropolis had its premiere in Opole (Poland) in 1962 and was also performed at the Edinburgh Festival in 1964, having a profound impact worldwide.

Carla Pollastrelli will introduce and present the video documentation of The Constant Prince (1965), the performance that gained Grotowski and the Laboratory Theatre its greatest international fame, thanks to the extraordinary performance of actor Ryszard Cieslak.

A woman comes face to face with her overwhelming need for revolution. Does she long for a rendezvous? Her fantasies become action as she is carried through a series of metamorphoses, incarnating the voices of French female poets anchored in history.

A hidden territory exists buried within each of us, an underground graveyard where unlived needs, actions and reactions reside, fermenting. Here, tonight, Dostoevsky’s analysis of the human psyche meets the performing arts research of the Workcenter.

As Thomas Richards guides us through the phases of the Workcenter’s performing arts research, interweaving analysis, screenings of film fragments and discussion, we encounter the Workcenter’s deepening of an exploration of the human being in action.

The Actor/Creator, a workshop conducted by Thomas Richards and Workcenter company members, uncovers the creative potentialities of each participant through work on connections between precision and organicity, tradition and individual work.